Dancing in the Streets: A History of Collective Joy is a book authored by Barbara Ehrenreich. Contents. 1 Description; 2 Well-known examples of Collective Joy. In her latest book, Dancing in the Streets: A History of Collective Joy, Barbara Ehrenreich traces the history of group festivities and the emotions these. Seeing Like a State by James C. Scott Crowds and Power by Elias Canetti Dancing in the Streets by Barbara Ehrenreich The Face of Battle by John Keegan The.
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At football and soccer games, crowds quit being passive spectators. Similarly, greater familiarity with scholarly terminology on Ehrenreich’s part would have strengthened her work—when historians or anthropologists refer to things as “liminal”, that does not mean, as she seems to think, that they are dismissing something as marginal or unimportant, but rather that it gains in power or possibility because it straddles the margins of more than one sphere.
Dancing in the Streets – Wikipedia
For most, life in medieval times majored in backbreaking drudgery and poverty. The French in particular made me wince. Old fashioned communal festivities were focused on escape from routines, losing the self, and becoming one with the soaring ecstasy of big joy. Barbara Ehrenrich would have been proud of the lot of us, and I wish she had been etreets herself!
I have read several other books by Barbara Ehrenreich, but this one in the worst.
To see what your friends thought of this book, please sign up. I know of no attempts in our time to use festive behavior as treatment for depression, as if such an experiment is even thinkable in a modern clinical setting. Long, long before the plague of Puritans, Europeans had deep roots in their ancestral lands, places that were spiritually alive with sacred groves, streams, mountains, animals, and fairies.
Mar 26, Clara Stefanov-wagner added it. The author also has several chapters on modern societies forms of collective joy, such as the followers of the rock revolution and modern US sporting events.
None the less, dancihg of fascinating information, including the fact that before Yahweh became the one god of the Jews, they worshiped the middle eastern version iin Dionysus. Apparently my surprise is due to my own ignorance. I am tempted to put both these books in the reference section of the library and only go to it when I am interested in seriously streete the topics.
Dancing in the Streets: A History of Collective Joy
Carnival, in Goethe’s words, was “a festival that is not really given to the people, but one that the people give themselves”. This started to make sense, as much of the authors conclusions are unconvincing, strwets they seem predetermined, with the facts twisted or ignored to support her viewpoints.
When I read about Barbara’s most recent book, “Dancing in the Streets,” s Barbara Ehrenreich is an engaging, enlightened and incisive critic of sreets culture, particularly in the company of writers on the New York Times Best Sellers List.
Maybe the failing is my own. Oct 19, Richard Reese rated it really liked it.
Dancing in the Streets by Barbara Ehrenreich
Paradise was where their feet were standing. For the most part this is a Euro-centric history of how religion dealt with dance throughout history. Arguably these online communities do not provide the level of physical engagement and movement of traditional gatherings, but many online groups conduct both online and real-life gatherings, blurring such traditional distinctions.
Views Read Edit View danncing. It seems to go back to the beginning of human life in a well researched canvas of vanishing planned and spontaneous collective joy.
Dancing in the Streets by Barbara Ehrenreich | Quarterly Conversation
At Beatles concerts, the music was often drowned out by the intense screaming and shrieking of thousands of girls. The barrage of high energy nationalism whipped them up. This was less about collective joy than the repression of collective joy, and heavily focused on the Christian tradition, although not exclusively so. On the streets, gangs of roughneck brown shirts with swastika armbands aggressively harassed the socialists, Jews, and other undesirables.
How clear the world looks in this first total light. It was quite a spectacular opening ceremony at the Portal. The author believes it has been significant – indeed, believes it is one of the major reasons for human success. Jan 26, Robert rated it liked ehreneeich.
Course, that is not provable. Apparently, people before and during the French Revolution used festival icons to signal their defiance of the upper classes; they’d write variations of “down with rent” on their maypole in addition to usual decorations. Ehrenreich argues that relatively recently the young men and women of the 50s and 60s who would not sit down in their seats during a rock concert, were merely reaching back albeit unconsciously into a Dionysian past.